Meet the editrixes of the Grinnell Review
“Some people go all four years without knowing what the Grinnell Review is,” said co-editor Vanessa Gennarelli, ’05. “We’ve changed the magazine this semester to really reflect the student body… We just really wanted to change it up, make it a little edgier,” she said.
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Basketballism 321 SpTp: Boys fantasize & girls go wrong
Bradley: Welcome back from Thanksgiving. SGA films are just as you left them, with just two movies, both starring mainly women. I’ll continue my white-male-hetero persona of the past couple weeks and recommend that you watch the men’s basketball game tomorrow afternoon rather than these movies. Heck, I’ll be gender neutral and recommend the girl’s game, too.
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Swaying hips, undulating tummies
Women of every shape and size gyrate to the sound of drum, flute and cymbal. Their hips sway and stomachs undulate as they move fluidly through the steps of an ancient social ritual.
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Into the Boundary Waters
Professor Shawn Womack titled this year’s fall Dance Troupe performance , to be held Sat. Dec. 6 at 2 p.m. at Flanigan Studio Theatre, Boundary Waters. She recycled the idea from a concept of boundaries originally developed by Aemelia Tallen ’05, a student choreographer. While the concept for Tallen’s dance evolved during the rehearsal process into something entirely new, the idea of boundaries stuck with Womack.
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Boland-Dowall Duo raps up Roots of Renewal
John Dowdall plucks out the melodies of the Old South on the guitar and Jan Boland smoothly intones gypsy songs from Eastern Europe on the flute. Their mixing of such different musical flavors suggests the complexity of the cultural melting pot that is the contemporary American Midwest. In conjunction with the Roots of Renewal exhibit, the duo will play at Faulconer Gallery on Saturday Dec. 6 at 7:30 p.m.
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The One-Acts: a theatrical feast
Two students blast off to the moon in a shuttle, where a piece of paper explodes in the Jason Carpp ‘06’s face! To save Carpp, Laurie Glapa ’07 takes off her own oxygen mask to share with him and thus, saves his life. All the while both of them have stools strapped onto their heads. This is just one warm-up exercise during a rehearsal for The Man Who Couldn’t Dance.
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