Catalogue of Compositions
by
Eric L. McIntyre


All of these works are available from the composer. If you would like to examine any of these scores or hear sample recordings, please email me. (catalogue updated Aug.12, 2009)


Orchestra and Band:

Drive-by arranged for symphonic band, 5 minutes (2006)

            premiered by Mason City High School Band, March 5, 2006, Mason City, IA

Of Minong for flute cello and orchestra, 30 minutes (2005)

premiered by Amy Saxton Wiggs and Steven Wiggs with Fort Dodge Area Symphony, Oct 16, 2005, Fort Dodge, IA

Receding Tides for symphony orchestra, 12 minutes (2004)

premiered by Aberdeen University Civic Symphony, Nov 21, 2004 Aberdeen, SD

Variations on a Variation for viola and orchestra, 17 minutes (2003)

premiered by Hurley Symphony Orchestra April 9, 2003, Shreveport, LA

Waltz....Obscured for large orchestra, 8 minutes (2000)

premiered by Moores School of Music Symphony, March 17 2002, Houston, TX

Drive-by for large orchestra, 5 minutes (2000)

premiered by Moores School of Music Symphony, March 17 2002, Houston, TX

Shrouded Reminiscence for string orchestra, 9 minutes (2000)

premiered by Moores School of Music Symphony, March 17 2002, Houston, TX

revised version premiered by Minnesota Sinfonia, Jan 13, 2006, Minneapolis, MN

Suite Terminus for large orchestra, 5 minutes (2000)

premiered by Moores School of Music Symphony, March 17 2002, Houston, TX

Overture - for chamber orchestra, 5 minutes (2001)

premiered by Hurley Chamber Orchestra, April 9, 2001, Shreveport, LA

 

Chamber Music:

After Time After Time for horn, bass trombone, and contrabass, 5 minutes (2009)

            premiered by the composer, Jonathan Greenberg, and Rich Wagor, June 2009, Cedar Rapids, IA

From here Springs Light and Life for clarinet, cello, and piano, 16 minutes (2009)

            premiered by June Garrison, Anthony Kitai, and Shannon Hesse, May 2009, Houston, TX

Floribunda for two celli and marimba, 12 minutes (2009)

            premiered by Barrett Sills, Louis-Marie Fardet, and Craig Hauschildt, May 2009, Houston, TX

Incantation No.1 for natural horn and fortepiano, 5 minutes (2008)

            premiered by the composer and Carol lei Breckenridge, April 2008, Grinnell, IA

Lament for flute, clarinet, violin, cello, piano, percussion, and optional guitar, 10 minutes (2007)

            premiered by AURA Contemporary Ensemble, Sept. 2007, Houston, TX

Prelude and Aftermath for piano trio, 12 minutes (2006)

            premiered by Iowa Composers Forum trio, April 2007, Cedar Falls, IA

Pronouncement for trumpet and organ (c. 3 minutes)

premiered by Nathaniel Mayfield and Vincent de Vries, July 2006, Verden, Germany

recorded by Nathaniel Mayfield and Vincent de Vries, July 2007

In sepulcro aquoso for flute, cello, and piano (12 minutes) – from Of Minong

            premiered Feb 17, 2006, Grinnell, IA

Second Impressions for baritone saxophone and piano, 19 minutes (2003)

premiered by Aaron Lington, July 2003, World Sax Congress, Minneapolis, MN

Variations on a Variation for viola and piano, 17 minutes (2002)

premiered by Jacob Sustaita and Rob Hunt, Nov 2, 2005, Houston, TX

...And Apollo Shimmers in the Plumes for string quartet, 15 minutes (2002)

premiered July 2002, Houston, TX,

A Visit from the White Rabbit for horn and narrator, 14 minutes (1998)

premiered by Phil Stanton and Steve Luttman, Feb 8th, 1998, Houston, TX

Seyahatname for chamber ensemble, 14 minutes (1996)

premiered Feb. 8th, 1998, Houston, TX

Cogitations for oboe and piano, 11 minutes (1997)

premiered by Jeff Champion, April, 1997, Houston, TX

Temporal Canvas for trumpet and string quartet, 5 minutes (1997)

premiered by trumpeter Don Johnson, Oct. 4th, 1997, Houston, TX

Bull Sax on Bourbon for baritone saxophone and two horns, 3 minutes (1996)

premiered with saxophonist Preston Duncan, Aug. 3rd, 1996, Bloomington, IN

Enneadic Abberations for nine flutes, 12 minutes (1994)

premiered Aug. 3rd, 1996, Bloomington, IN

Cataracts for horn and flute, 7 minutes (1993)

premiered by Rebecca Burgos and the composer March 1994, Bloomington, IN

Ndizi Tatu for violin, horn and, bassoon, 15 minutes (1995)

premiered March 1995, Kraków, Poland

Cycles for horn and piano, 17 minutes (1993)

premiered with hornist Guinevere Wallace, April, 1993, Bloomington, IN

Musique Infernale for horn and piano, 4 minutes (1991)

premiered by the composer, April 1992, Bloomington, IN

 

Vocal:

Haraka, Haraka Haina Baraka! for mixed choir (2006)

            recorded August 2006

Haiku! - for percussionist/narrator (one performer),  (2001)

premiered by Gregory Akagi July, 2001, Cleveland, OH

premiere recording by Rich Dart, August, 2003, Westbrook, CT

All Alone for mezzo-soprano and horn, 8 minutes (1999)

premiered by Catherine Nguyen and composer, March 29th 1999, Houston, TX

Dorothy Parker Songs for low female voice and piano, 12 minutes (1998)

premiered by Robyn Reso, Feb. 8th, 1998, Houston, TX

Ta Co Nie Zginela for bass-baritone, strings, and horn, 6 minutes (1995)

premiered with soloist Marcin Wolak, April 1995, Kraków, Poland

Thoreau Songs for soprano and piano, 8 minutes (1990)

not yet performed

 

Solos:

Three Scenes for solo tuba (2007)

            premiered by Mark Barton, Feb. 2007, San Antonio, TX

Five scenes for piano solo, 15 minutes (2002)

            premiered by Cathy DeRousse, Nov. 2002, Shreveport, LA

La Campana for solo flute, 4 minutes (1998)

premiered by Alison Young, Nov. 1998, Washington, DC

SOULiloquy for solo tuba, 5 minutes (1997)

recorded by Mark Barton, July 2006

performed by Lee Hipp, Oct. 2, 1999, Salt Lake City, UT

Two Dances for Solo Bassoon, 7 minutes (1996)

premiered by Rob Heuther, Aug. 3rd, 1996, Bloomington, IN

Sonnet LV for solo horn, 4 minutes (1994)

premiered by Guinevere Wallace, March 1995, Bloomington, IN

Prufrock for solo horn, 3 minutes (1994)

premiered by the composer, April 1994, Bloomington, IN

Etude for solo piano, 3 minutes (1994)

not yet performed

 

Electronic Music:

Strums for digital tape, c. 5 minutes (in progress)

Some Very Specific Views for digital tape, 8 minutes (1999)

premiered April 3rd, 1999, University of Houston.

In the Beginning, There Was Bari for bari saxophone and digital tape,14 minutes (1998)

details under “Electronic Music” above

 

Unclassified:

Full of Sound and Fury, Signifying Nothing

for piano (infinite hands) and Shakespearean actor, c. 15 minutes (1997)

premiered with narrator Steve Luttman, April, 1998, Houston, TX

 


return to homepageReturn to homepage for Eric L. McIntyre