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Kristin
Ross
Kristin
Ross is Professor of French and Comparative Literature
at New York University. She is the author of The
Emergence of Social Space: Rimbaud And The Paris Commune (1988); Fast Cars, Clean Bodies: Decolonization
And The Reordering of French Culture (1995); and May '68 And Its Afterlives (2002). |
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Susan
Bordo
Susan
Bordo is the Otis A. Singletary Chair in the Humanities
and Professor of English and Women's Studies at the
University of Kentucky. She has written and edited several
books, including Unbearable Weight: Feminism, Western
Culture, and the Body (1993, nominated for the Pulitzer
Prize), Twilight Zones: The Hidden Life of Cultural
Images from Plato to O.J. (1997) and, most recently, The Male Body: A New Look at Men in Public and in Private (1999). |
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Amy
Hollywood
Amy
Hollywood is Professor of the History of Christianity
and Theology at the University of Chicago, where she
teaches courses on early and medieval Christian thought
and practice, the history of Christian mysticism, and
contemporary theory, all with particular attention to
questions generated by feminist and queer studies. She
is the author most recently of Sensible Ecstasy:
Mysticism, Sexual Difference, and the Demands of History (2002) and is currently writing a book about the reception—medieval,
early modern, and modern—of medieval Christian women's
mysticism. |
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Rosi
Braidotti
Rosi
Braidotti is Professor of Women’s Studies and Scientific
Director of the Netherlands Research School of Women’s
Studies at the University of Utrecht. She co‑ordinates
ATHENA, the European Thematic Network of Women’s Studies
for the European Commission’s SOCRATES program, and
is the author or editor of several books, including Patterns of Dissonance: A Study of Women in Contemporary
Philosophy (1991), Nomadic Subjects: Embodiment
and Sexual Difference in Contemporary Feminist Theory (1994), Women, the Environment and Sustainable Development:
Towards a Theoretical Synthesis (1994) and, most
recently, Metamorphoses: Towards a Materialist Theory
of Becoming (2002). |
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